Seminário Patriarcal de Rachol salva precioso património
O edifício do Seminário Patriarcal de Rachol da Arquidiocese de Goa, construído pelos jesuítas no século XVII, guarda um precioso património. Em algumas das suas robustas paredes encontram-se pinturas que retratam cenas bíblicas, a vida dos santos, e elementos da doutrina católica. São reproduções de quadros de artistas renascentistas: Rubens, Rafael, Miguel Ângelo e Caravaggio.
Outras pinturas dizem respeito aos Patriarcas da Arquidiocese e a fundadores de ordens religiosas. Vêem-se também obras de Ângelo da Fonseca, conhecido como o “Pai da Arte Cristã Indiana”.
Trata-se de mais de 150 pinturas executadas por artistas locais entre os séculos XVII e XX, em três formas: frescos, telas e óleo sobre madeira.
Por falta de recursos humanos e financeiros, essas pinturas foram deteriorando ao longo dos tempos. A partir do ano de 2017, graças à iniciativa do Reitor Dr. Padre Aleixo Menezes e à boa-vontade de Caterina Goodhart, directora da Escola de Conservação de Quadros e Molduras, de Londres, vários goeses e estrangeiros por ela treinados, ajudaram a restaurar as obras de arte, no âmbito do projecto intitulado “Restauradores sem fronteiras”, iniciado pela profissional londrina.
Até hoje estão restauradas as seguintes pinturas e imagens:
- Retratos dos Patriarcas Mateus de Oliveira Xavier, Teotónio Vieira de Castro, José da Costa Nunes e José de Vieira Alvernaz;
- Tela da autoria do general José Francisco de Assa, a qual retrata o Rei Dom Sebastião, que facultou a construção do Seminário;
- Uma outra, setecentista, representando a levitação de S. Francisco Xavier, no acto de administração da Sagrada Comunhão;
- Retratos de Maria Madalena, Santo António e o Menino Jesus, em estilo flamengo.
As obras do Seminário não só valem em si mas também por serem trabalhos de artistas locais. Reforçam a história e identidade artística do território, além de serem um óptimo meio de transmitir a Fé. Nas palavras do padre Victor Ferrão, professor do mesmo seminário, são elas uma “imagem do céu na Terra” e constituem uma “Bíblia visual” nas paredes.
(in Revista da Casa de Goa, Jan-Fev de 2021)
Life and Times of Alfredo Lobato de Faria
O.N.: Mr Lobato de Faria, thank you for having us!... We cannot but notice the number of art objects surrounding you…. You are a real artist!
A.L.F.: I don’t deny that, but at the same time I don’t wish to praise myself… Really, I do like art; it has been my passion.
O.N.: Did you ever think of going to an art school?
A.L.F.: Well, I couldn’t. I wanted to become an artist, but didn’t have the money. I studied pharmacy, and stayed on there…
O.N.: But you still made time for art! It was your pastime…
A.L.F.: Yes. That ‘Last Supper’ there was my last frame.
O.N.: What was your magnum opus?
A.L.F.: I painted 14 frames depicting the Way of the Cross. It meant wood work, canvas, paints, and all that. Fourteen frames isn’t child’s play!
O.N.: Where are they now?
A.L.F.: They are in the chapel of Nossa Senhora da Piedade, São Pedro. When I realized that the chapel didn’t have the Via Crucis series, I gifted the frames. I don’t know if they are still there… I don’t say this because I did them, but doing fourteen frames wasn’t easy…
O.N.: But they remain preserved for posterity!...
A.L.F.: Well, well, history, too, forgets…
CARNAVAL
O.N.: We recently had the Carnaval in Goa… Any memories of the Carnaval of past years?
A.L.F.: This is no Carnaval, nor were the earlier carnival [parades] the real Carnaval… The original Carnaval was bacchanalian. .. They would drink to the point of losing control of their actions… to the extent that Nero, who was a terrible emperor, banned it, for men and women would enter the parade almost in the nude, with only a fig leaf to conceal the genitals…
O.N.: And what about the Goan Carnaval?
A.L.F.: Ours is no Carnaval either… it’s plain commerce. Just commercial publicity in the parades…
O.N.: As far as I know, you were one of those who stitched costumes for the floats? Any recollections?
A.L.F.: I was mostly the one making most of the costumes. I would sit down and keep stitching those costumes. My house would be strewn with rags. I was passionate about those things, their costumes, etc…
PANJIM
O.N.: Talking a little about Pangim: did you always live here?
A.L.F.: No; I first lived in Ribandar, and then came to Pangim. When my daughter Maria de Fátima was in the third year of Lyceum, Ribandar felt a little far away. There was no public transport; and although I had a motorcycle, it wasn’t good enough for three people. So I shifted to a house behind Fazenda.
O.N.: Tell us something about personalities that you remember from your Lyceum days?
A.L.F.: I had distinguished teachers. Prof. Leão Fernandes: he was knowledgeable and knew the art of teaching…. And then another teacher who would write on the origins of the language… he gave good lessons on the Portuguese language: Salvador Fernandes. Once he called me for a Latin lesson. I was weak. He looked at me and said, ‘Oh, I understand why you are weak… You’re wearing shoes with crepe soles. No stability.’ Since then I started studying Latin, and he gave me 12 out of 20 marks, which coming as they did from Salvador Fernandes was a lot, like 20 marks from some other teacher. And after he retired, I wrote him a thank-you letter, for all that he’d taught us through newspapers and even over the phone… I would phone him sometimes… And that other one was a savant, Egipsy de Sousa. He could teach any subject. He used to teach us chemistry, about gases, methane, the gases of the marshes, ethane, and all those bonds…. They were teachers who knew how to teach.
O.N.: You were a regular contributor to Heraldo, weren’t you?
A.L.F.: I started a page in Heraldo under Dr António Maria da Cunha. Later, in O Heraldo under Prazeres da Costa, I started a page called ‘Página dos Novos’. He was a very demanding person. He would immediately strike off… but he was truly a writer. He would take his pen and write, write and write… And then came Carmo Azevedo, who reviewed my book, Sombras…
O.N.: That’s right! We have to talk about your book of poems, titled Sombras... Why ‘Shadows’?
A.L.F.: Why? Because everything was full of shadows then, there was no joy; everything was dark, hence mine was a book of shadows…
O.N.: Who did the cover?
A.L.F.: I painted the cover depicting a harp and a woman…
FAMILY
O.N.: Mr Lobato de Faria, could you tell us a word about your family, please!
A.L.F.: Lobato de Faria is an illustrious family. I don’t say this because it’s mine. The family belongs to the nobility and founded the morgadio of Nerul, the first morgado being Manuel Freire Lobato de Faria, who came to Goa in the 17th century. Nerul belonged to him. He made history! Imagine, he caught Arya, who was a bandit that would infest the areas of China and Goa, and nobody could catch him. He caught him, handcuffed him and sent him to Portugal. I belong to that noble family.
O.N.: So, later, the family settled in India…
A.L.F.: Yes. Since then it has been living here. He was a nobleman and fidalgo cavaleiro (knight) of the Royal House who had blood relations with Nuno Álvares and King Dom João I! Well, today … I could still use my coat-of-arms, which I have, but…
O.N.: It’s a well known family…
A.L.F.: And that lady in Portugal…
O.N.: You mean Rosa Lobato de Faria, writer and actor, belongs to the same family…
A.L.F.: Yes. She is from another branch. He was supposed to be sterile, but had 7 children and proceeded to different places. One of them remained in Portugal, and Rosa is from that branch.
CENTENARIAN
O.N.: Mr Lobato de Faria, now that you’ve touched 100, what thoughts are uppermost in your mind?
A.L.F.: My dear friend, whoever has crossed 100, what else should he expect?... I would say I am happy with my God and with friends. I thank God for my family…. What God did was something very special. He handed life to humanity and He remained above. Indeed, that was the best thing He could do: offer His own life for humankind.
O.N.: Mr Alfredo Lobato de Faria, you are a man of faith. You’ve lived to be a hundred, in faith. You are now surrounded by love and care from your daughters, four grandchildren and seven great-grandchildren. You’ve lived your life all the while helping to improve other people’s life. I thank you for your hospitality and bid you goodbye, wishing you good health and happiness. Thank you!
A.L.F.: Thank you!
(Mr Alfredo Lobato de Faria passed away in April 2018, two months after this interview, at the age of 101 years. He lies buried in the cemetery of St Agnes, Panjim)
Use the following link to listen to the original interview in Portuguese on the YouTube channel of Renascença Goa: https://www.youtube.com/watch?v=q3ylH2bkNzA
First published in Revista da Casa de Goa, Jan-Feb 2021