Pastor's Day Musings

St. Jean-Marie Vianney,         Patron of Pastors

Curiously, despite the passage of years, the idea of a Priest that first pops up in my mind is the very same one that I gathered from my father half a century ago. In those days, parents and children spent quality time together, talking earnestly about real issues, religion at the head. My father made it a point to convey his idea on how a priest should be viewed: it was obviously an upshot of his long experience with priests amidst family and friends.

Papa didn’t discuss the universal priest; he had in mind products of Rachol seminary, many of whom he knew personally. In his recent book, Goa tal como a conheci (Goa as I knew it), published posthumously, he refers to that institution as “an excellent ornament of our archdiocese”, “an institution of such noble traditions” that produced “priests of high intellectual and spiritual merit.” He states that a large number of those cultured and virtuous priests exercised their office in Goa and in mission stations; some of them were philosophers and theologians, journalists and writers, sacred orators, canonists and moralists, teachers and public men; some others, men of edifying piety or sanctity acknowledged by the people and the Church…”

One of Papa’s favourite anecdotes was about Dom José da Costa Nunes, who held Goa in high esteem, especially for her historical and cultural past. One day, the redoubtable Patriarch of the East Indies said in a private conversation: “Goa’s clergy are cultured and pious… Here, even an obscure parish priest from the New Conquests, for example, comes forth to discuss with the Patriarch, citing, if need be, an encyclical by Pope Paul III!..”

Dom José da Costa Nunes

It goes without saying that Papa was in awe of the greatest Goan exemplars of sanctity – Joseph Vaz and Agnelo de Souza – and, what is more, imagined the clergy of his day to be inching forward in the Saints’ footsteps. I guess that in the evening of his life he’d begun to sense that this was not in sight; yet, he yearned for a quick and distinct change of tide. Usually, his portrayal of a priest would close with the words: “um santo padre” (a holy priest). That was a finale we could easily anticipate.

Looking back, I would say that Papa protected his children from the knowledge of any unedifying behaviour from pastors. When confronted with information that we children had gathered, he would make little of it. And Mama would second his opinion, by saying: “Quem sabe!” – Who knows! Once it was about a Jesuit whom he held in esteem for his intellectual prowess, and presuming that his spiritual life was on par. I seized the opportunity and sought to know how Papa bore such an exalted idea of every priest. He said, quite simply: “We’ve always seen priests in a good light. By and large, our priests have been above reproach.”

Papa had a definite opinion on the apologetics and polemics of his times. His very own priest uncles, Castilho and Elínio, had been in that league. At the dinner table, he sometimes recounted stories of the journalistic antics of anti-Catholic, Portuguese republicans of the early twentieth century and how a good number of Catholic priests and laymen had combated them. However, Papa’s musings in his book end on a plaintive note: “With Vatican Council II, polemics was replaced by dialogue between religions and cultures. And with this new way of looking at things, the old type of Catholic apologist or polemist quietly faded away.”

And how do I end my musings on Pastor’s Day 2019? I wish our priests many fulfilling years in the Vineyard of the Lord… My children’s father may be unable to exert the same influence as did their grandfather… Let it be. Much water has flowed under the Mandovi Bridge since the days when we would sit together and ponder… After all these years all I wish, with teary saudade, is to see the vindication of the essential parts of my father’s image of the Pastor.

(Renovação, 1-15 Sept 2019, p. 14)



Dr Adélia Costa: Goa's angel of mental health

She was Goa’s best known neuropsychiatrist. The first to turn the spotlight on mental health in our land, she served the community professionally for half a century. She now lives a quiet retired life amidst close family in Miramar.

Dr Adélia

 Few would know that Maria Adélia Peres e Costa, who turns 90 today, is Goa’s first neuropsychiatrist. After graduating from the Escola Médico-Cirúrgica de Goa, she pursued specialised studies in Lisbon, becoming the first lady neurologist in Portuguese territory. On her return to Goa in 1958, she was appointed the first director of the freshly set up state-run Abade Faria hospital, now Institute of Psychiatry and Human Behaviour.

A research paper in the Indian Journal of Psychiatry states that the young director was appalled at antiquated methods of handling lunatics and bizarre practices of interning political prisoners alongside those patients! She highlighted the anomalies and suggested corrective measures, in a report that the Portuguese local government promptly accepted. At once deputed to source modern equipment and medicines from France, she returned with many goodies for the so-called “children of a lesser god”.

They eagerly waited to meet that doctor who spoke little but did a lot, that  healer whose initial reserve quickly gave way to a smile and some curative banter.

Brand-new infrastructure alone can do no wonders, much less do away with stigma attached to a mental hospital. So it was the range of humane practices inspired by Dr Adélia that finally led to an attitudinal change in the staff and the public. Patients were brought out from custody to an open and friendly environment. The hospital staff became skilled at grooming the inmates and administering standard medications. Relatives and friends, too, eventually began to minister to their kin with tender love and care. A gentle revolution in healthcare got started.

By March 1962, however, Dr Adélia had sensed that the gentle revolution would not be sustainable. The resolute lady was on her final round of the hospital wards while, thousands of miles away, Ken Kesey’s novel One Flew over the Cuckoo’s Nest exposing Nurse Ratched’s antics in an Oregon psychiatric hospital, was making waves for all the right reasons.

Meanwhile, Dr Adélia flew out to Portugal, this time to study psychiatry, and on her return set up private practice in Panjim. Before long, Dr Adélia became a household name, a name synonymous with mental health. Her residence and clinic was always teeming with patients, many of them from beyond the borders of Goa. They eagerly waited to meet that doctor who spoke little but did a lot, that healer whose initial reserve quickly gave way to a smile and some curative banter. Never mind the labels “nervanchi dotor” and “pixianchi dotor” contrived by the man in the street, medical cases were sure to find ethical solutions at the hands of this angel of mental health.

My family and I with Dr Adélia on her 90th birthday

Dr Adélia had the makings of a model physician. Not only was she on top of the latest news and trends in medicine, she worked tirelessly, disregarding her personal ups and downs. That she could recall case histories with ease spoke volumes about her commitment. A cool head, a good listener, she was empathetic to the mental and material needs of the patients, and they never felt rushed. Even as it was striking that she always put on the white coat, it was even more so that she meticulously filed her patient treatment cards to the very end. She exuded self-confidence, yet humility was her abiding trait. And all of this came from her passion to make a difference in the lives of others.

There was an obvious connection between Dr Adélia’s faith and her life as a medico. She has been a contemplative in action

In addition to being a remarkable professional, Dr Adélia is a remarkable senhora. While fully dedicated to her clinical responsibilities, she also saw to her other obligations. After a hard week’s toil she would drive down to Loutulim in her Fiat and, later, a first-generation Maruti-Suzuki (both in classy shades of green) to spend weekends with her mother. And amidst all the chores, she still found the time to read and have a chat. And yes, she stopped to pray. She was more than just a Sunday Catholic. Her participation in the early morning Way of the Cross at the city church on Good Friday is one picture that has stayed with me since I first saw it.

Herald, 27th August 2018

There was an obvious connection between Dr Adélia’s faith and her life as a medico. She has been a contemplative in action, living out beautifully what the twentieth-century savant Alexis Carrel called “a journey of the soul towards the realm of grace.” May that marvellous cycle live on. A role model for many, Dr Adélia has spent an entire lifetime alleviating human suffering, by treating and reassuring others. She can feel blessed with the assurance that she lives in their grateful hearts and minds.

(An abridged version of this article was published in The Goan, Panjim, 27 August 2018)

http://epaper.thegoan.net/1792134/The-Goan-Everyday/The-Goan-Everyday#page/4/1



Breadcrumbs and Raindrops

Frustrating shortages of fuel, electric power, food items and even water – you and I have seen them all, but none as acute and protracted as the present one. It’s been a rough time, without water and home-cooked food... No water, despite the copious rain; no food, despite loads of raw materials at home.

If I remember right, the water scarcity scenario in Goa goes back to the 1980s. My father was indignant. No doubt Goan households had always depended on private or public wells; and Panjim, on two excellent springs (Boca da Vaca and Fénix) and retail sales of water from house to house. But, right from the 1950s, thanks to the commissioning of Opa, the capital enjoyed potable piped water round the clock. In the 1970s, however, water rationing began – the same way as commodities at ‘fair price shops’. And by the 80s, the situation was almost back to square one. Ironically, the capital city was the first to experience parched throats.

On such occasions my father’s pointed comment used to be: ‘We have joined the national mainstream!’

Much as water rationing enervated him, poor Papa would be ready with his kit – pipes, barrels, et al. – and rise to the occasion every single morning. Overhead tanks didn’t exist in the old Indo-Portuguese houses then. On days when there was no supply at all, it felt odd to hire men to fetch water from a well in the Garcia de Orta municipal garden nearby. When not even men were available, we boys did it ourselves: we carried buckets and cans across the street, much like those rural Indian women you see on TV today, trudging distances for the same purpose. On such occasions my father’s pointed comment used to be: ‘We have joined the national mainstream!’

Dear Mama would panic about having to feed seven mouths and more. No water, no cooking! And those were the days when relatives from far-flung villages, on expectant visits to charming Panjim, would sometimes drop by without notice – it was the done thing, you know! At seeing us waterless, their faces would go pale. Generally, minutes after waxing eloquent on the joys of village life, they would get down to brass tacks, thinking of ways to sort out the problem. Quite often, on subsequent visits to the city, they would bring us a few cans of water, all the way from their homes in Curtorim and Loutulim...

Down the years, through a reckless movement from a rural to a semi-urban/urban status across the length and breadth of our idyllic territory, some capital errors (pun intended) spread like an inflammation to the countryside. Who would think that in the cities, private and public wells would be filled up to make for a bonus patch of land? And who would imagine that villages would no longer hold their ancestral wells dear to their hearts? Panjim was once a hub of malaria: it hardly had potable water for its residents but enough freshwater for mosquitoes to breed in! Today, malaria and several other diseases are widespread. Clearly, ‘The Wise Fools of Moira’ (cf. Lucio Rodrigues, in Soil and Soul) and their counterparts from other villages – once upon a time, inheritors of a traditional wisdom – had sadly given in to the disastrous model of ‘development’ espoused by our ‘smart’ city kids.

It’s pertinent to note whether we are becoming smarter or dumber by the day. Or are we just getting “smart” and acting dumb? Looks like there’s a method to the madness! Consider how the ‘Traffic Safety Week’ is religiously observed every year, its main outcome being the sale of helmets and other accessories. Likewise, a water crisis born of laxity and poor accountability generates a super sale of well water and packaged water! As a corollary, eateries make a fast buck – while households remain paralysed, not for any lack of kitchen raw materials but simply for lack of water. Don’t these business feats speak volumes?

There’s no scorching summer or any disturbing drought, yet a water crisis of sorts.

Goa is fast turning into a land of shocking contrasts – ‘joining the national mainstream’, as my father would quip. The country is rich, yet the people continue to die in poverty. There’s no scorching summer or any disturbing drought, yet a water crisis of sorts. Citizens are fighting an artificial drought, yet those more equal than others have more than enough liquid to swim in. I picked up 70 litres of packaged drinking water from Mapusa and filled up our tanks with 3500 litres of well water transported by tankers, yet on my mad rounds to track down the ‘ubiquitous’ tanker, I saw restaurants and hotels functioning normally. Shocking contrasts indeed!

To be reduced to breadcrumbs and raindrops is worse than a dog’s life. But, unlike Hansel and Gretel, this trail of breadcrumbs won’t be washed away by the raindrops!



Ontem estive na Madragoa…

From now on this line is gonna be on the lips of music aficionados: ‘I was at Madragoa yesterday…’ 

Madragoa is a popular ward of Lisbon, close to the mouth of the Tagus. They say it's named after the Madres of Goa (the Monica Sisters of the old city of Goa) who'd invested in real estate there. Except that the ‘Madragoa’ here is not the well-heeled quarter of lovely Lisboa but a music set-up at the Centre for Indo-Portuguese Arts (CIPA) in pretty Panjim! And at Goa’s Madragoa there’s fado and mandó!

The fado and the mandó are two delightful musical genres. Interestingly, both were born in the nineteenth century, one in the dockyards of Lisbon, and the other in the salons of Salcete. Did the twain ever meet? Yes, they did – here in Goa. It is not so well known that the venerable Tipografia Rangel has to its credit the publication of one of the earliest pages of the fado in Goa… But let’s leave that for another day. 

Yesterday was the premiere of the world’s first fado and mandó house. Madragoa – Casa do Fado e Mandó (House of Fado and Mando) opened not to a trumpet blast but to the exquisite strumming of two guitars and the thump of the ghumot, the Goan percussion instrument par excellence. The instrumentalists were none other than Orlando de Noronha (Portuguese guitar) and Carlos Meneses (fado guitar), accompanists to one of India’s most gorgeous vocalists: Sonia Shirsat, who – surprise of surprises – doubled as a ghumot player.

It is not so well known that the venerable Tipografia Rangel has to its credit the publication of one of the earliest pages of the fado in Goa… But let’s leave that for another day. 

The show began, very appropriately, with an instrumental fado titled ‘Madragoa’, composed by Orlando de Noronha, who conceived the idea of the house. It was followed up with a charming repertoire of fado and mandó: ‘Rua do Capelão’, ‘Não rias’, ‘Sogllem mhojem vidu’ and ‘Lisboa, não sejas francesa’ in the first half. The second half featured ‘Lágrima’, ‘Fala da mulher sozinha’, and two inevitable numbers, ‘Casa Portuguesa’ and ‘Adeus korcho vellu pavlo’. Earlier, they played Portuguese guitarist José Nunes’ ‘Rapsódia’, once upon a time the signature tune of Renascença (All India Radio, Panjim’s weekly programme in Portuguese), bringing back memories of the seventies, eighties and nineties.

Pleasant memories were what the spectators were found exchanging during the brief intermission, while they relished Indo-Portuguese delicacies served with love: pãezinhos com chouriço do Reino, rissóis de camarão, fofos de bacalhau, croquetes, torradinhas com patê and pastéis de nata. And they got to leisurely sip a glass of sangria as well. 

The perceptive audience carried home aural images of the fado and the mandó. Then, on social media and elsewhere, they shared the joys of Indo-Portuguese culture with friends and family, saying, ‘Ontem estive na Madragoa!’ 

But men and women do not live by bread alone. What they equally lapped up at Madragoa was the ambience. The backdrop to the fado and mandó room is a large mural depicting a mix of Panjim, Lisbon and Coimbra cityscapes. A narrow street called Rua da Saudade; row houses painted in blue, white, yellow and red; a chapel at the end of the street; and a clock tower overseeing the goings-on in the lyrical neighbourhood.

The perceptive audience carried home aural images of the fado and the mandó. Then, on social media and elsewhere, they shared the joys of Indo-Portuguese culture with friends and family, saying, ‘Ontem estive na Madragoa!’ 



Blessed by the Star

It is common for Catholics in India to assume that Independence Day was timed to coincide with the Feast of the Assumption of the Blessed Virgin Mary into Heaven. This is simply not true. Whereas the state of India was released from British rule on 15 August 1947, the ancient Marian belief was dogmatically defined three years later, on 1 November 1950. Read more


Celebrating Braz and Jazz

"Raga Rock" was a much-deserved tribute to Goa-born Braz Gonsalves. Read more


Three Founders in a Row

It struck me that we have three Saint founders of religious congregations whose feasts we celebrate on three consecutive days. And all of them have a presence in Goa:

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St Joseph Vaz's Letter of Bondage

Also known as Deed of Bondage or Letter of Slavery. 342 years today.

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Remembering Prima Maria

November 1987. I was all of twenty-two years old and had landed in Lisbon. Shortly after this I phoned a relative for whom I’d carried a little parcel from her sister Genoveva (to whom I became a sobrinho by marriage but remained first a primo, via Curtorim). Her name was Rita Maria Gomes. I’d never met her before; yet she sounded so warm that I promptly accepted her lunch invitation. Her brother Nicolau stopped over to collect the item, early the next morning, shaking me out of my jet lag: he was my only visitor at Hotel Berna, Campo Pequeno, where I’d put up in the first three days of my year-long stay in Portugal.

After my maiden Sunday Mass na terra de Camões, I headed for Carcavelos, half an hour’s journey by train from Cais do Sodré. Usually shy at a first meeting, I was nonetheless eager to see my mother Judite’s “Guirdolim cousins”.

At Oeiras, on a near-empty platform, Primo Amâncio Frias Pinto and I easily spotted each other. As he comfortably drove me home in his white Renault 10, his down-to-earth style put me at ease. And then, when Prima Maria and the family welcomed me, I noticed the glow on her face: she had taken a shine to Judite’s son. My gracious hostess had very thoughtfully invited three primos still new to me: Noémia and her children Lena and Stuart. I instantly identified the senior one (now a much-loved Tia) as daughter of Primo ‘Picu’ Stuart, who I’d been very fond of as a child… Now here was a heady mix of Neurá and Curtorim/Guirdolim, and it made my day!

I have no photographs of that memorable coming together. That was altogether another age, the pre-digital age! I vividly remember, however, that the apartment was bathed in sunlight. Prima Maria had the table laid de rigueur and served a full course meal. It wasn’t easy, but she did it! And, yes, she kept up an animated conversation, centred on Goa, our relatives and friends.

It was still a bright and pleasant afternoon when Prima Maria suggested we take a stroll in the colourful feira nearby. And soon it began to feel like home. When evening came and Primo Amâncio (who’d been my father Fernando’s contemporary at Casa de Estudantes) dropped me off to the station, I felt a sudden pang of saudade

..........................................................................

August 2018. Years after my unforgettable passage to Portugal, I met the simpático casal at their ancestral house at Ararim, Socorro – which, meanwhile, I’d become familiar with as the home of my wife Isabel’s maternal aunt Bernadete married to Terêncio Frias Pinto. Prima Maria made a few more trips to Goa, travelling solo after her husband’s demise. Last year, we crossed paths at Panjim’s Immaculate Conception church. That’s when I quickly fixed up a lunch appointment; and unable to meet up at home, we decided on a thali at the Fidalgo.

How can we forget the people who’ve made us happy at some time or other in our lives? I’m glad I started off by recalling the lovely moments spent with her family – oh my God! – three decades ago...

As for her, she was soaked in memories. She smiled wistfully, reminiscing about her spinster days in Goa and as a young wife in Mozambique, and gave me the lowdown on her life as a widow.

A grandmother of two, pretty even at eighty, Prima Maria was proud of her Gomes ancestors who made it big in Portugal. She spoke ardently about the Veiga-Gomes kinship, and – surprise of surprises – she pulled a neat set of notes and sepia out from her handbag to confirm that the doctor-politician Pestaninho da Veiga (1849-1901), the physician-writer A. X. Heráclito Gomes (1864-1934), and the poet Mariano Gracias (1871-1931), who died in Lisbon, were indeed first cousins! Prima Maria was thus a third cousin of my mother’s; her children Rui and Lara, and I, sit a step below.

Pestaninho da Veiga

Needless to say, formal relationships are not everything; it’s the level of friendship that counts. For instance, when the infant Maria Rita da Veiga, died of bronchopneumonia, a day prior to the arrival of a baby in the Gomes household, this new-born was baptised Rita Maria. The noble gesture speaks volumes of the oneness of spirit that proceeds from life built around shared values! In any case, a rarity in our day and age, this episode endeared the new Maria very especially to my mother who, aged 3½ years, had been confused and shaken by the disappearance of her immediate junior sibling.

There are, on the other hand, myriad incidents over which one has no control whatsoever; one gets to join the dots only much later. Consider my mother’s passing, at the age of 83½ years, precisely on Rita Maria’s eightieth birthday! Doesn’t this say something about the communion of saints that often goes unnoticed even by practising Catholics?

Life never ceases to amaze us. Prima Maria, despite her aches and pains, travelled to Canada, New Zealand and Australia – aching to connect with friends and relatives – whereas I’d failed to get in touch with her brother Heráclito in Porto. I’d thought of him, even in the midst of São João celebrations there, but it had remained just that – a thought… That I finally got to meet him, thirty years later, on Facebook, is another matter entirely! We now stand in awe of this gift from cyberspace.

My first – and last – lunch invitation to Prima Maria inevitably ended, but not before my mobile phone camera – sensing our connectedness – clicked away, trying to discover facial resemblances between kith and kin… And it was saudade once more…

Still a sunny afternoon, much like the one at Carcavelos, I drove Prima Maria to ‘A Pousada’, a pensão she was staying at, in the city’s charming São Tomé ward. We said our goodbyes, and I left. When I called up after a month, I got no answer… Heaven knows why!

Até sempre, Prima Maria!


Celebrating Braz and Jazz

(L-R) Louiz Banks, Jarryd Rodrigues, Karl Peters, Braz Gonsalves, Lester Godinho

"Raga Rock" was a much-deserved tribute to Goa-born Braz Gonsalves. Thanks to this presentation by Panjim-based Communicare Trust run by Nalini Elvino de Sousa, Goa got to sing paeans to a Jazzman who keeps a low profile after decades of showmanship in the Indian metros.

At the Kala Academy, on 14 June, I was charmed by the sight of a senior citizen at the entrance, welcoming guests with a gracious smile. Many passed him by, unsuspecting that he was Braz Gonsalves himself. For sure, many jazz aficionados have heard of the man and enjoyed his music; very few would have met him in person.

With Maria Meireles, Sharon Gonsalves and Yvonne Gonsalves

A few minutes later, the very same man wearing his trademark flat cap stole the show. At 86 years of age, he regaled a packed auditorium with his magical, golden saxophone. He was joined by his good ol’ boys: Louiz Banks (who formed the great Indo-Jazz Ensemble, with Braz); Karl Peters, India’s foremost bass guitarist, and drummer Lester Godinho, not forgetting his own, musically talented wife Yvonne ‘Chic Chocolate’ Vaz, daughter Sharon, son-in-law Darryl Rodrigues, and the youngest – and perhaps the most talented of them all – his grandson Jarryd Rodrigues. “Grandfather meets grandson,” boomed Banks, who also remarked that “the legacy of Braz Gonsalves is in the safe hands of his grandson Jarryd.” They made an amazing duo.

What a spectacular evening of jazz! And the music will play on, if the revelations on stage are anything to go by: Jazz pianist Jason Quadros, Portuguese-born soprano Maria Meireles, Anthony Fernandes (bass) and the ‘cool’ Coffee Cats comprising Ian de Noronha (keyboards, bass and melodica), Neil Fernandes (guitar and vocals), Jeshurun D’Cruz (drums), Jarryd Rodrigues (alto and soprano saxophone), Gretchen Barreto (vocals), Ajoy D’Silva (trumpet), and Lester D’Souza (tenor sax).

Cartoonist Alexyz presents his work to Braz and Yvonne

The music segment (vocals and instrumentals) was preceded by a musical skit in which sixteen children recreated the story of Braz Gonsalves’ life which began in Neurá-o-Grande, a village my ancestors hail from. And that was an added reason for me to celebrate Braz and Jazz!

(L-R) Emmanuel de Noronha, Braz Gonsalves, Oscar de Noronha and Vera de Noronha, backstage, after the show